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Martha approached Lansing Moore, proprietor of Center Art Studio, to repair two antique vessels--a terra-cotta urn and an enormous Italian flower pot. The studio generally does not hide an objects repairs since they will become part of its history. And it is essential that a repair is able to be reversed so the object can be better restored as new techniques develop.
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Lansing notes that one of Marthas pots was repaired with metal staples about a hundred years ago. Today the same repair might have been made using glue and putty.
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For most projects, Lansing and his staff use water-soluble wood glues, so that the restoration is reversible. Harder glues like epoxies and silicone adhesive can be difficult to undo.
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Duct tape holds the pieces together while the glue dries. Since a severe break can change the shape of a pot, Lansing examines the reassembled piece looking for gaps and cracks.
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Using Dap Spackle tinted to match the pot, he fills in the areas as needed; the tinted putty assures that the fill-color appears uniform even if scratched.
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After the fill dries, Lansing sands and sculpts the surface, then seals it with a protective silica seal.
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